Anna's version here. Next: Gambit.
7 hours ago
Saturday, May 5, 2012
Saturday, April 28, 2012
Thursday, April 26, 2012
Wednesday, April 25, 2012
Tuesday, April 24, 2012
Sunday, April 22, 2012
Saturday, April 21, 2012
Friday, April 20, 2012
Thursday, April 19, 2012
Wednesday, April 18, 2012
Monday, April 16, 2012
Sunday, April 15, 2012
Saturday, April 14, 2012
Havok
The Mrs. and I have decided to draw the X-Men. Every day or so, we'll pick another one out of the hat to draw. Today's is HAVOK. (They'll generally be pencil sketches, but it was faster to drop the black and the circles onto this one in P'shop.)
Here's Anna's Havok.
Tomorrow: Banshee's daughter SIRYN.
Friday, April 6, 2012
Wednesday, February 29, 2012
Tuesday, February 28, 2012
Process
Here are some prelims for recent pics I've done, starting with the "Witch Hazel" pic from my Cartoon Redheads blog.
This first one is a rough to get the feel of the overall shape of the figure. I establish the simplest outside edges first, and then carve out the negative spaces (such as where her legs part), like cutting into a pie.
I did this next one to give myself an idea of what the main lines would look like. As you can see, her feet didn't line up at first. I later decided that it would look better if the toes of both her feet all followed the same arc, which you can see in the final version.
Here's my first attempt at her head, followed by the version I ended up with, in which I tried to make her look less "Sabrina" and more mischievous.
Here are a couple of hat designs. Chuck Jones's original design was more cartoony, so he got away with placing the hat on her head like a coin on an egg, but since my version is slightly more realistic, I had to figure out a sensible way to fit her hat onto the dome of her skull without intruding on her bangs or ponytail.
And here's the rough of my Viveca Lindfors portrait. (I didn't end up doing a rough for the Lisbeth Salander portrait. The final versions of realistic portraits take longer than the finals of cartoon drawings, so I don't always have time to mess around with roughs beforehand.) In this rough, I'm getting a feel for the three-dimensional shape of her head, and the shadow pattern.
And that's that!
This first one is a rough to get the feel of the overall shape of the figure. I establish the simplest outside edges first, and then carve out the negative spaces (such as where her legs part), like cutting into a pie.
I did this next one to give myself an idea of what the main lines would look like. As you can see, her feet didn't line up at first. I later decided that it would look better if the toes of both her feet all followed the same arc, which you can see in the final version.
Here's my first attempt at her head, followed by the version I ended up with, in which I tried to make her look less "Sabrina" and more mischievous.
Here are a couple of hat designs. Chuck Jones's original design was more cartoony, so he got away with placing the hat on her head like a coin on an egg, but since my version is slightly more realistic, I had to figure out a sensible way to fit her hat onto the dome of her skull without intruding on her bangs or ponytail.
And here's the rough of my Viveca Lindfors portrait. (I didn't end up doing a rough for the Lisbeth Salander portrait. The final versions of realistic portraits take longer than the finals of cartoon drawings, so I don't always have time to mess around with roughs beforehand.) In this rough, I'm getting a feel for the three-dimensional shape of her head, and the shadow pattern.
And that's that!
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